The Eyes of the Skin: Architecture and the Senses by Juhani Pallasmaa
This book is a short but beautifully crafted argument for an Architecture based less on the sense of sight and more on the other senses, and about how touch is the core sense from which the others flow. It argues we have gone too far in holding sight above those other senses, particularly in Architecture and that there is a better, deeper way to understand and shape the spaces we design.
Pallasmaa wrote the argument out as an essay and lecture, then turned it into a book first published in 1996 which quickly became a classic of Architectural Theory. Amazon has it at 130 pages long but my edition is only 80 pages! Either way it’s a short and fairly quick read provided you are familiar with the references Pallasmaa makes. If you don’t you might find it hard work to digest.
The skin is the oldest and most sensitive of our organs, and touch is the sense that became differentiated into all the other senses. The understanding of our external environment is much more co-dependant on all the senses. But vision is the sense that is increasingly dominating in Architecture. Pallasmaa sets out the case for the tactile senses in the experience and understanding of the world and in the design of buildings and cities. That the pre-conscious perceptual realm, that of peripheral vision contains the quality of architectural reality much more than a focused image. The quote below joins up these associated ideas and expresses them beautifully.
‘I confront the city with my body; my legs measure the length of the arcade and the width of the square; my gaze unconsciously projects my body onto the facade of the cathedral, where it roams over the mouldings and contours, sensing the size of recesses and projections; my body weight meets the mass of the cathedral door, and my hand grasps the door pull as I enter the dark void behind. I experience myself in the city, and the city exists through my embodied experience. The city and my body supplement and define each other. I dwell in the city and the city dwells in me.’– Juhani Pallasmaa
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