Delirious New York By Rem Koolhaas: The Film Version (and Review)

Delirious New York: A Retroactive Manifesto for Manhattan by Rem Koolhaas

Opening shot / A black limousine pulls up in front of a glass skyscraper in Manhattan. The camera is so close to the base of the tower that it appears to go up forever disappearing into the clouds. The light bouncing off the plain glass elevations as though all the glass was reflected back, the only articulation of the building are the reflections of the clouds in the sky. Out gets Edward Norton the famous Hollywood actor, director, writer, polymath he is shown limping into the building.

The book Delirious New York was written in 1978 and pushed OMA and Rem Koolhaas into the spotlight where they have never been out of since. This book helped OMA became the architectural office probably with the most influence in the Architecture scene from the 90’s into the 2000’s.

Delirious New York is a retroactive manifesto of the Skyscraper and for New York City. The birth of which occurred around 1910 and its death some thirty years later. The manifesto is an unconscious programme embarked on in the city during its massive growth which only now Delirious New York properly reveals.

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In Praise of Shadows by Junichiro Tanizak

In Prasie of Shadows by Junichiro Tanizak (translated by Thomas J. Harper and Edward G. Seidensticker)

Review

A beautiful book about Japanese aesthetics and the love of perception in the shadows at the edge of darkness.

This book is short and sweet and at well under eighty pages it flits between more weighty subjects of Shadows, Color and Architecture with seemingly more trivial ones, Japanese toilets, paper, wiring Japanese homes among the many.

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The Thinking Hand Existential and Embodied Wisdom in Architecture by Juhani Pallasmaa

Introduction

This book reads as a follow on from the book The Eyes of The Skin by the same author. While The Eyes of the Skin is a beautiful text on the importance of the other senses, apart from touch, on design The Thinking Hand expands this observation and builds around the same themes to provide an overall theory of design practice and thinking emanating from the human body and all the senses.

Every chapter pretty much could stand on its own having their origins in separate essays. Each has its own closely argued references all given at the end of the chapter so although the writing is dense the argument is clear and it is fairly easy to go one chapter at a time.

I have enclosed the notes I took on each Chapter as I want to give a fairly detailed overview of the arguments presented. I hope this gives a good feeling for the style and substance of the arguments in the book. Then I will offer an overall conclusion. But in short I highly recommend this book and think it offers the design student much to ponder.

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101 Things I Learned in Architecture School by Matthew Frederick

101 Things I learned in Architecture School by Matthew Frederick

A friend loaned this book to me and before I handed it back, long overdue, I thought I’d write a few things about it. 

I read it through once at the beginning of my loan, then again many times just dipping in now and again when the book happened to appear on my radar as it did from time to time. This is how the book is really meant I feel as a small handbook of inspiration not as a read through.

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The Obstacle is the Way by Ryan Holiday

The Obstacle is the Way: The Ancient Art of Turning Adversity to Advantage by Ryan Holiday

Premise

The book is meant as an introduction to Stoicism and to an idea that stoicism in the West has been around throughout history behind the scenes as a tool for those who wanted to use it. The book comes formatted thus with some collected anecdotes about famous and successful people down the ages who have employed stoicism either consciously or unselfconsciously.

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Soft City by Jonathan Raban

Soft City by Jonathan Raban

Soft cities is like a city reader, a book about how cities work on our inner selves and how we live in them and Iain Sinclairs’ introduction hits all the right notes locating Rabans’ book within the London of the 70’s, and the literary traditions from which it springs.

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The Ghost Map by Steven Johnson

The Ghost Map : The Story of London’s Most Terrifying Epidemic–and How It Changed Science, Cities, and the Modern World

by Steven Johnson

Compare a bacteria with a human, with a city, with the planet. Weave in two personal stories and the clash of ideas and of the inherent messiness of progress, and you may get the outline of this book. The Ghost Map is at once a real map, but also a metaphor for progress, for navigation of the future using the past.

The scale at which this book is written jumps all the time and could have collapsed in on itself because it constantly pans and zooms through its subject matter, yet it always stays focused and gripping. The book’s main story are the events around an outbreak of Cholera in London in 1854 around Broad Street, Soho. Two very different people, John Snow and Henry Whitehead, became entangled in the outbreak and eventually through their efforts the battle against Cholera was won, mega cities became possible and the foundations for modern epidemiology were laid.

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The Man in the Glass House: Philip Johnson, Architect of the Modern Century by Mark Lamster

The Man in the Glass House: Philip Johnson, Architect of the Modern Century by Mark Lamster

Overview

A detailed biography of Philip Johnson in chronological order. The American Architect who became kingmaker during the rise of the modernist movement in the U.S.A. after WWII. A floored genius, a copyist, a playboy, politician and propagandist. This book sets the standard so far in my reading for an Architectural biography both in personal and professional detail.

I do not believe in principles, in case you haven’t noticed.

—Philip Johnson, 1982

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Nightlands Review

If you want to really get a feel for Nordic Architecture, indeed to really get under the skin of the differences between Nordic Architecture and the rest of the world then this is the book to start with. Not only does it give a convincing picture of ‘Northerness’ but it paints a credible narrative of not only the primordial origins of Nordic Architecture but the differences between the Nordic countries too. 

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The Eyes of The Skin Review

The Eyes of the Skin: Architecture and the Senses by Juhani Pallasmaa

Introduction

This book is a short but beautifully crafted argument for an Architecture based less on the sense of sight and more on the other senses, and about how touch is the core sense from which the others flow. It argues we have gone too far in holding sight above those other senses, particularly in Architecture and that there is a better, deeper way to understand and shape the spaces we design.

Book History

Pallasmaa wrote the argument out as an essay and lecture, then turned it into a book first published in 1996 which quickly became a classic of Architectural Theory. Amazon has it at 130 pages long but my edition is only 80 pages! Either way it’s a short and fairly quick read provided you are familiar with the references Pallasmaa makes. If you don’t you might find it hard work to digest.

Basic Premise

The skin is the oldest and most sensitive of our organs, and touch is the sense that became differentiated into all the other senses. The understanding of our external environment is much more co-dependant on all the senses. But vision is the sense that is increasingly dominating in Architecture. Pallasmaa sets out the case for the tactile senses in the experience and understanding of the world and in the design of buildings and cities. That the pre-conscious perceptual realm, that of peripheral vision contains the quality of architectural reality much more than a focused image. The quote below joins up these associated ideas and expresses them beautifully.

‘I confront the city with my body; my legs measure the length of the arcade and the width of the square; my gaze unconsciously projects my body onto the facade of the cathedral, where it roams over the mouldings and contours, sensing the size of recesses and projections; my body weight meets the mass of the cathedral door, and my hand grasps the door pull as I enter the dark void behind. I experience myself in the city, and the city exists through my embodied experience. The city and my body supplement and define each other. I dwell in the city and the city dwells in me.’

– Juhani Pallasmaa

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