Tenet is a film that crystalises architectural space into reality.
Tenet by Chritopher Nolan
The film Tenet by Christopher Nolan has recently caught my imagination. I thought I would write down a few things as to why I find it so interesting. This is not going to be a review, those are easy to find elsewhere but instead looking at some of the themes of the film and why they are so fascinating and very architectural.
Needless to say go and see the film first or be prepared for some spoilers.
Junkspace with Running Room by Rem Koolhaas and Hal FosterNotting Hill Editions; First Edition (September 13, 2016)
Rem Koolhaas was a famous architect before he ever built a building. Much writing about architecture is bad, especially by architects. Koolhaas is different he writes great prose which is both entertaining and interesting, lively and obtuse, always trying hard to be subversive.
Steps Towards a Small Theory of the Visible by John Berger A selection first published in 1997, of John Bergers non fiction writing from throughout his career. It might act as a neat gateway through to other works by Berger. But its also a bittersweet look at how art can change us.
A review of The Seven Lamps of Architecture by John Ruskin an influential book and author that is a hard slog but might be rewarding.
John Ruskin art and architecture and social critic. He was born in London in 1819 and died in 1900 so his life runs alongside Queen Victorias reign and he fairly neatly sits within the Victorian era. Much of the thinking and aesthetics of that time can be seen through his writing and indeed was hugely influenced by it. In his early career for instance his support of the pre-raphelites, the romantic and gothic revivals of the time, the appreciation of nature and rebellion against increasing mechanisation and market capitalism marks him out as a leading thinker of the time.
Podcasts about architecture might seem to be a little counter-intuitive but they have a freedom that writing about architecture doesn’t have precisely because you can’t reasonably include images.
By relying on audio different sorts of debates can occur. Conversations, interviews and and wider ranging topics find a medium that is more natural to them than the written word.
So to start people off I thought to highlight a few podcasts I have been enjoying recently. Also I will leave these as reviews in itunes. Please take a listen and consider supporting these channels. If you have suggestions for additions to the list please feel free to leave them in the comments.
Learning From Las Vegas (LFVLV) by Robert Venturi, Denise Scott Brown, and Steven Izenour is important for two reasons. It was a book that came, in 1972, at the end of late modernism. It proposed a radical break with the immediate past and also a reassessment and incorporation of more traditional forms of architecture back into current thinking.
It was also the book that launched the authors on that path and helped bring that thinking into the forefront of the Architectural debate for over twenty years. It helped launch the style Postmodernism and at first gave it a loose theoretical framework. So on these fronts it was amazingly successful. But that style has since fallen out of favour and ‘modernism’ has made a return.
Even today some fifty years later the book is still controversial. It can often be used as evidence on both sides of the style debate in any ongoing style war. It can at times feel more like a collection of writings rather than one single book.
There is an attitude to urban and architectural studies that covers the full gamut from high art to kitch and so it’s almost necessarily divisive. It contains iconic arguments; all buildings are either ducks or decorated sheds, and it exhaustively analyses a high-tide moment of Americana in the Las Vegas of the late 60s which doesn’t exist anymore at all. It supports the iconic but also the boring, the everyday.
If the Las Vegas strip is no longer at all the same as that in the book it dosen’t matter, we can see the muscle flex of rebellion in the book that is fascinating in itself. We can with some profit see again the arguments now they have played out in the world a little.
The Book Invisible Cities by Italo Calvino is a classic modernist novel yet has had a widespread popularity that elevates it above most books of its type and has come to have an enduring influence among artists and architects.
It’s a staple for architecture students and architects alike, but why is it so popular and what’s so interesting about it? After all it may not seem on first sight to be particularly relevant to the practice of architecture as although it proports to be about cities it’s actually a magical realist book whose cities are dreamlike creations. A post modern novel with little plot and seemingly a much more poetic dreamlike quality.
But on starting to read and being drawn into the novel I think it becomes apparent why this has become such a touchstone for creative thinking about design and cities and why many architects love it so much, me included.
Before the review I will give some background and have a more detailed look at the structure of the book. This I feel is really important because of the way the book was written. The structure of the book in fact, is an integral part of the beauty of its beauty.
A Pattern Language came out in 1977 authored by Christopher Alexander with some of his students Sara Ishikawa, Murray Silverstein, Max Jacobson, Ingrid Fiksdahl-King, Shlomo Angel.
At the time I believe Christopher Alexander was teaching Architecture at Berkley and the first group of books he wrote sprung from his teaching, research and designing there. It is one of a series of Books by Alexander but A Pattern Language is his most widely read work.
Alexanders books principally A Timeless Way of Building, A Pattern Language and The Nature of Order have inspired a following not just in Architecture but in other fields also principally Computer Science where his work is more influential than in Architecture.